Process

I primarily utilize handbuilding techniques (pinch, coil, slab) to make my forms. For me there is a greater freedom of execution found with handbuilding the complicated, unusual forms I enjoy creating. It also allows for a more unique, organic look that is central to my style. Sometimes I do employ the use of a slab roller, extruder, wheel or mold for initially making the form and then proceed to alter it and add onto it. I love to embellish the surface by carving, poking, adding clay appendages, and impressing natural materials, found objects and handmade stamps into the clay. I am always excited and somewhat obsessed with discovering new objects and ways to create texture and new forms. The clay I use varies from earthenware, to stoneware, to porcelain, the choice dependent on the form and its function.

My passion for mixing and blending colors from my former days as a painter is evident in the large palette of glazes I enjoy using. Application of them involves layering and removing in order to create a harmonious yet contrasting balance between the revealed textures and the colorful intermingling of the glazes. Most of my work is oxidation fired in an electric kiln in the cone 6 range (around 2200 degreesF). Occasionally, I have the deeply enjoyable and rewarding opportunity to wood fire my work allowing the natural wood ash to leave its “ flame kissed” patina on the pieces.